" data-medium-file="https://derekwadsworth.com.files.derekwadsworth.com.com/2015/12/san-vitale-theodora.jpg?w=300" data-large-file="https://derekwadsworth.com.files.derekwadsworth.com.com/2015/12/san-vitale-theodora.jpg?w=500" class="alignnone size-full wp-image-550" src="https://derekwadsworth.com.files.derekwadsworth.com.com/2015/12/san-vitale-theodora.jpg?w=640" alt="san-vitale-theodora" srcset="https://derekwadsworth.com.files.derekwadsworth.com.com/2015/12/san-vitale-theodora.jpg 500w, https://derekwadsworth.com.files.derekwadsworth.com.com/2015/12/san-vitale-theodora.jpg?w=150 150w, https://derekwadsworth.com.files.derekwadsworth.com.com/2015/12/san-vitale-theodora.jpg?w=300 300w" sizes="(max-width: 500px) 100vw, 500px" />Theodora and also attendants, mosaic from the south wall of the apse, san Vitale, Ravenna, Italy, c. 547.

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In this mosaic, Theodora is holding the cup of wine for the procession that the Eucharist. In a pair mosaic, Justinian hold the cup to disperse the bread. There space images everywhere the mosaics to signify Christ’s redemption that mankind and also the remembrance the it v the taking of the Eucharist. The location of the world are additionally important. Through the majesty of her robes and her placement at the front of everyone, that is clear that Theodora is exceptionally important. Despite she is in a courtyard as opposed come the inner palace of the san Vitale and therefore walk not have actually the standing of Justinian, the reality that she is shown in this mosaic in ~ all reflects her affect in Justinian’s court.

This mosaic is far-ranging for a pair of reasons. The an initial is that parallels with the Justinian, Bishop, Maximianus piece. That is also significant because the shows exactly how the placing of figures in arts expresses rank. As pointed out above, Theodora is positioned in the courtyard and not in the palace. This expresses her rank and is an instance of just how artist connect to their audience. An additional reason this piece is far-ranging is because it points come Theodora together a historic figure. The mere fact that she was portrayed in this piece testifies to her distinctive position in Justinian’s court. That is proof of the strength she hosted in Constantinople.

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Gardner, Helen, Fred S. Kleiner, Christin J. Mamiya, and also Richard G. Tansey. “Rome in the East: The art of Byzantium” Gardner’s Art through the Ages: The western Perspective. 11th ed. Belmont, CA: Thomson/Wadsworth, 2003. 266-268. Print.