HW. 81. The ax _____________ describes an intensified interest in the styles and also themes of timeless art during the Middle oriental period.A. Chora rebirth B. Palaeologue Renaissance C. Macedonian Renaissance D. Venetian period

2. The photo of the Lamentation in ~ Nerezi shows the ______________ of oriental art under the Komnenians.A. Short squatty figures B. Painterly spontaneity C. Flat, two-dimensionality D. Aloof and emotionless quality

3. The non-biblical episode of the ______ illustrated at Nerezi appears to have actually been occurred during the twelfth century.A. Crucifixion B. Anastasis C. David writing the Psalms D. Lamentation

4. The Archangel Michael (Fig. 8-12) is an instance of carved ivory diptychs that offered what role in Christian worship?A. Lock were used to send messages to their friends. B. They to be portable objects the veneration, comparable to painted icons. C. They tape-recorded the name of human being who were to be remembered in prayers. D. They were offered as book covers because that manuscripts.

5. Close to the finish of the first century, the _____________replaced the scroll together the primary type of record texts.A. Codex B. Manuscript C. Miniature D. Illumination

6. Whereby would the congregation have focused their attention during spiritual services at Hagia Sophia?A. The altar B. The dome C. The emperor D. The apse

7. The Archangel Michael diptych (Fig. 8-12) is a section of a __________-panel object.A. Two B. 3 C. 4 D. Five

8. What spiritual theme hold together the mosaics in ~ the Church of san Vitale (Fig. 8-5, Fig. 8-6, Fig. 8-7, Fig. 8-8, Fig. 8-9)?A. The martyrdom of St. Vitalis B. The marriage sacrament that Justinian and Theodora C. Christ"s function as King of sky D. The celebration of the Eucharist

9. What pictorial facet indicates an otherworldly an are in Empress Theodora and her attendants in the Church of St. Vitale (Fig. 8-9)?A. The emphasis on illusionistic room B. Three-dimensional modeling of the numbers C. The silhouetting of the figures against a yellow background D. The open up doorway come the women"s gallery10. Prior to the iconoclasm that the eighth century, symbols were welcomed as __________________.A. Illustrations of crucial Biblical occasions B. Intermediaries in between worshippers and also the holy numbers they depicted C. Didactic pictures that reinforced Christian ethical values and beliefs D. Pictures to be worshipped in churches and private settings

11. The substantial use that marble, fancy glass, and gold mosaics to decorate the internal of the Church of mountain Vitale (Fig. 8-6) had actually what effect on the structure?A. It offered to reinforce the basic supports. B. The made the structure show up to dissolve into shimmering light and also color. C. It dubbed attention to the architectural complexity seen transparent the building. D. That disguised structure irregularities that were originally visible within the church.

12. The use of purple vellum in the manufacturing of the Vienna Genesis (Fig. 8-13) shows it was probably made for: ___.A. A bishop B. A mrs C. An royal patron D. Ritual use

13. Which of the adhering to is not a characteristic of oriental churches native the middle period?A. Emphasis on verticality B. Lot of geometric develops C. Rich usage of mosaic decoration D. Level exteriors

14. Architects that the Cathedral the St. Mark in Venice relied ~ above a Greek-cross plan, noting each square unit through a separate: A. Altar B. Apse C. Dome D. Chapel

15. Throughout the byzantine era, the celebration event of the fixed took location behind a(n) _________, which separated the congregation from the sanctuary.A. Ciborium B. Screen C. Ambulatory D. Aisle

16. The Virgin and Child through Saints and also Angels (Fig. 8-14) in the Monastery that St. Catherine in Egypt is a rare example of a 6th century ________.A. Manuscript B. Platter C. Cream color D. Icon

17. A usual image decorating the main dome the Russian Orthodox churches is Christ ________, ruler of the universe.A. Emperor B. As good Shepherd C. Pantokrator D. Apollo

18. The Virgin of Vladimir (Fig. 8-28) is an instance of a "Virgin of _________," where Mary and the Christ Child push their cheeks together and also look at one one more affectionately.A. Sorrow B. Compassion C. Pleasure D. Wisdom19. A ______________ includes the finish text of Psalms and odes or canticles from the Bible.A. Psalter B. Ciborium C. Icon D. Miniature

20. Justinian noted the monastery in ~ St. Catherine"s at mountain Sinai with _____________ because that protection.A. VaultB. Secret tunnel C. Fortifications D. A chapel

21. The mosaic decoration of St. Catherine"s at mount Sinai is concentrated in the _______________.A. Niche B. Narthex C. Ambulatory D. Sanctuary

22. Small portable high-end items created in the middle Byzantine period combine superior beauty and also technical skill with ____________.A. Altruistic flair B. Thoughtful virtues C. Religious meaning D. Pagan motifs

23. The ____________ ~ above the back central panel that the Harbaville Triptych (Fig. 8-25) symbolically evoked paradise.A. Bust-length portraits that saints B. Vegetation inhabited by pets C. Archangel Michael D. Portraits that monks

24. ____________ is regarded the Harbaville Triptych in figure style and composition.A. The Crucifixion B. The Hospitality the Abraham C. The Anastasis D. Christ Crowning Emperor Romanos II and Empress Eudokia

25. In the icon of Saint Michael the Archangel indigenous the Middle oriental period, the archangel is portrayed as _______________.A. A messenger B. A confrontational army commander C.

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A Roman divine being D. A female